欧洲的某个地方
影片信息
- 状态：HD中字
- 主演：Artúr Somlay/Miklós Gábor/Zsuzsa Bánki/
- 导演：Radványi Géza/
- 年份：1948
- 地区：其它
- 类型：剧情/
- 时长：内详
- 上映：未知
- 语言：其它
- 更新：2025-04-04 18:38
- 简介： Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the stre
剧情简介
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
为你推荐
换一换-
更新至第36集朴真熙 李甫姫 李元宗 韩振熙 李应敬 李代延 金惠仙 金宣敬 이정용 채빈
-
HD国语7.0 As The Water Flows
-
HD国语8.0 久美江措 更旦 尕玛久美 尼玛颂宋 西然仁杰 尕玛文加 文秀求珍 达杰丁增 更却东周
-
HD中字全昭旻 金度延 秋昭贞 朴瑞妍 宋智妍
-
TC中字7.0 The Cry of the Guards The Fence
-
TC中字5.0 魅影巨星(台)
-
TC中字8.0 Solitary
-
HD国语6.0 张丹濛 边海滨 任希鸿
-
HD7.0 見津賢 上脇結友 宮田佳典 川濑阳太
-
HD6.0 平野生成 佐藤里菜 木口健太 北原帆夏 山田绢绪 细川佳央 桥野纯平 中山求一郎
-
HD5.0 梅拉尼·罗兰 皮埃尔-伊夫·卡迪纳尔 安吉丽娜·沃雷斯 Sarah Pachoud 费利克斯·基赛勒 Juliette Gasquet 托马斯·乔里亚 Ilinka Lony Lucas Cenciai Najim Zeghoudi 马克桑斯·蒂阿尔 克莱尔·陈 安娜·卢瓦雷 比拉内·巴 斯特凡纳·瓦鲁彭 Serpentine Teyssier Benjamin Lepennetier Ludivine Colle Pascal Decolland Arnaud Straebler
-
HD误导
-
TS抢先6.0 Game of Identity
-
HD国语8.0 未知
-
已完结5.0 三瓶由布子 藤村步 丰崎爱生 茅原实里 平野绫
-
已完结三瓶由布子 藤村歩 丰崎爱生 茅原实里 川澄绫子
-
HD中字8.0 மை லார்ட்
-
HD中字7.0 我的外公占爸(港)
-
HD中字Miles Crawford Sharlene Radlein 布鲁克·巴特勒 桑巴·舒特 Joshua Russell
-
HD中字7.0 姜末琴 奉太奎
-
HD8.0 宋智孝 都嬴谞 玉智英 尹惠利
-
HD7.0 刘玉玲 劳伦斯·寿 奥赖恩·李 詹妮弗·林 胡紫蕊 陈清仁 伊莱文·李 扎克·卡尔德隆 亚当·钱勒·贝勒特 安东尼·科米斯 达纳·德·塞里斯 安季·德贝尼德托 阿蒂卡斯·埃尔萨斯 凯特·凯林 约瑟夫·Y·李 埃里克·莱威顿 弗兰妮·马斯 乔·梅 苏珊·波尔法 戴夫·沙兰斯基
-
HD德斯蒙德·杜布 法纳·莫科纳 Prince Grootboom Warren Masemola 邦基尔·曼赛
-
HD中字安昂：最后的气宗 Aang: The Last Airbender
-
HD中字7.0 O Romeo Arjun Ustara
-
HD6.0 希岛爱理 卯水咲流 初愛ねんね 古本恭一 那波隆史 なかみつせいじ パスタ功次郎
-
HDAdam's Sake In Adam's Interest 急诊室的难题(台) 母愛難治(港)
-
HD8.0 Let Dream Fly
-
HD中字6.0 尼娜·凯莉 文森特·莱克莱尔 Adrian Walters 恩里克·克兰东尼 Antoine Pilon 斯蒂芬·卡林 康拉德·皮拉 Myriam LeBlanc Hayley Festeryga 安德里亚斯·艾波吉斯 布伦特·斯卡格福德 克里斯蒂安· 杰达 卡伦·波特 尼古拉斯·方丹 埃文·安妮塞特 拉里·戴 Nicolas Couture 埃里克·戴维斯 Gabriela Wyrwich 朱丽叶特·高斯林
-
HD中字6.0 Sanaya Andrade Daílma Mendes Alice Da Luz Nha Nha Rodrigues 中野裕太